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Quote 740990243 Replybullet Topic: kqzyih louisvuittonoutletlvstore zylwhyn
    Posted: Mar 28 2013 at 7:33am
The final segment would consist of political celebrities. I include them as endorsers because their parties are products or service providers and they are the stars who make the consumers vote for them. If M. G. Ramachandran began the trend of endorsing first the DK louisvuittonoutletlvstore, the DMK and then the AIADMK before almost becoming the party himself guccieyeglassframes.com, N. T. Rama Rao followed suit. The rash of film stars who are now politicians or wannabe politicos is blurring the line between political celebrities and celebrities from the entertainment industry. I believe it is a sign of the times we live in salechanelhandbags.co.uk. We regularly elect as our leaders politicians who are history-sheeters. We crawl before our political masters, never daring to question them on anything serious. We are perfectly willing to send glamorous stars to Parliament without pondering over their qualifications to such an onerous job or their effectiveness there. We are completely star-crazy. The moment a celebrity is a political brand, not just the law-enforcing agencies but even the consumers, in this case the electorate, seem willing to forgive them completely. Our political celebrities can do no wrong. I wonder why our brand managers have not realised this truth.

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The piglet is a substitute for the newborn tormented by a mother inflicted with von Munchaussen by proxy syndrome. Both works involve the use of a razor, an implement associated with the masculine removal of hair, its function subverted from grooming utensil to feminine weapon. In Soap, Slip, Slash, the artist highlights the vulnerable pregnant state, exposing primal desires and societal taboos. The recent case of a woman abducting her pregnant neighbour and cutting her along an existing caesarean scar to steal the foetus and claim it as her own is threateningly re-enacted. The psychological impulses that trigger such heinous crimes are explored in the liminal zone where the artist can momentarily take on the aberrant under the guise of performance.4 The physical body, and particularly the utilisation of the body as a primary medium for these artists to illustrate their individual perspectives of gender and sexuality www.guccieyeglassframes.co.uk, is prevalent throughout the exhibition. In the work of perrine Resonant intimacy we are invited into the domestic context and into an evermore intimate yet unassuming act. perrine's wallpaper presents an amusing take on the gender bending phenomenon www.guccibagsguccipurses.com, playing on the audience's interpretation of her graphic principle either seen as an illustration of a fundamental sexual differentiation, or as the normalisation of gender bending in our contemporary urban environment, daily eyes and lives. This wallpaper is the context for a video performance where she endlessly cleans her ears, questioning the hidden sexual ambiguity of such a daily and apparently meaningless habit. Her installation Resonant Intimacy does not comprise any sound and generates a sudden desire to scratch one's own ear. Related articles:
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